Byron, Mark, Felix Hermans, and Pim Verhulst. “‘Weigh Absence in a Scale’: Beckett’s ‘Imbedded’ Poetry in Watt and Words and Music.” Samuel Beckett Today / Aujourd’hui, vol. 37, no. 1, 2025, pp. 7–22.
Nikitenko, Iana. “Their Brothers Went to War: A Review of the Russian Anti-War Podcast Sisters.” RadioDoc Review, vol. 10, no. 1, 2025, pp. 1–7. doi:10.14453/rdr.1556.
Arteel, Inge. “Die Ekstase des Realen. Das Hörstück ‘Landschaft mit Verstoßung’.” Friederike Mayröckers ‘ekstatisches’ Spätwerk, edited by Eleonore De Felip and Beate Sommerfeld, Böhlau, 2025, pp. 25–42.
Verhulst, Pim. “From Inferno to Sorrento: Dante, Wartime Radio and the Italia Prize.” Samuel Beckett and the Arts: Italian Negotiations, edited by Davide Crosara and Mario Martino, Anthem, 2024, pp. 91–122.
Verhulst, Pim. “Samuel Beckett’s ‘Arabian Nights of the Mind’: Unnarratability, Denarrat(ivisat)ion and Narrative Closure in the Radio Play Cascando.” Genetic Narratology, edited by Dirk Van Hulle, Open Book Publishers, 2024, pp. 151–67.
Verhulst, Pim. “Radio: Between Text and Sound.” A Comparative History of the Literary Draft in Europe, edited by Olga Beloborodova and Dirk Van Hulle, John Benjamins, 2024, pp. 516–28.
Verhulst, Pim. “Non-Narrativity in Samuel Beckett’s Radio Play Words and Music.” Music and Its Narrative Potential, edited by Bart Bouckaert, Ann Peeters, and Carolien Van Nerom, Brill, 2024, pp. 219–35.
Verhulst, Pim, and Andrea Smith. “Radio Drama and Adaptation Studies.” Journal of Adaptation in Film & Performance, vol. 17, nos. 2–3, 2024, pp. 113–24.
Verhulst, Pim. “Visualizing the Unseen: Stage and Screen Adaptations of Samuel Beckett’s Radio Play All That Fall.” Journal of Adaptation in Film & Performance, vol. 17, nos. 2–3, 2024, pp. 163–76.
Arteel, Inge. “Adaptation as Cultural and Medial Transfer: George Tabori’s Short Story and Radio Play ‘Weissmann und Rotgesicht’.” Journal of Adaptation in Film & Performance, vol. 17, nos. 2–3, 2024, pp. 149–62.
Verhulst, Pim, and Jarmila Mildorf, editors. Music, Word and Sound in Radio Drama. Brill, 2023.
Verhulst, Pim. “‘You Looked Quite Different without a Head’: A Slight Ache Revisited Across Media.” The Harold Pinter Review: Essays on Contemporary Drama, vol. 7, 2023, pp. 23–41.
Van Puymbroeck, Birgit. “Between Genre and Medium: Hilda Tablet, Henry Reed’s Fictional Metabiography for Radio.” Biography: An Interdisciplinary Quarterly, vol. 46, no. 2, 2023, pp. 313–331.
Van Puymbroeck, Birgit. “Eclipsed by Under Milk Wood: Henry Reed and the Italia Prize.” Notes and Queries, vol. 70, no. 4, 2023, pp. 312–315.
Arteel, Inge, and Sabine Müller. “Reworking the Collective Body: Practices of Choric Speaking in the German and Austrian New Radio Play.” Modernism/modernity, vol. 8, no. 1, 2023, https://doi.org/10.26597/mod.0269
Verhulst, Pim. “A ‘healthy honest-to-God out-of-the-door life-loving deflowering’: The (Self-)Censorship of Beckett’s Radio Drama on the BBC Third Programme.” Samuel Beckett Today / Aujourd’hui, vol. 34, no. 1, 2022, pp. 133–46.
Verhulst, Pim. “Beckett’s Intermedial Bodies: Remediating Theatre through Radio.” Beckett and Media, edited by Mark Nixon, Balazs Rapcsak, and Philipp Schweighauser, Manchester UP, 2022, pp. 107–22.
Arteel, Inge, Lars Bernaerts, Siebe Bluijs, and Pim Verhulst, editors. Tuning in to the Neo-Avant-Garde: Experimental Radio Plays in the Postwar Period. Manchester UP, 2021.
Arteel, Inge, Lars Bernaerts, Siebe Bluijs, and Pim Verhulst. “Introduction: The Acoustic Neo-Avant-Gardes between Literature and Radio.” Tuning in to the Neo-Avant-Garde: Experimental Radio Plays in the Postwar Period, edited by Inge Arteel, Lars Bernaerts, Siebe Bluijs, and Pim Verhulst, Manchester UP, 2021, pp. 1–24.
Verhulst, Pim. “Beckett’s Technography: Traces of Radio in the Late Prose.” Samuel Beckett and Technology, edited by Einat Adar, Galina Kiryushina, and Mark Nixon, Edinburgh UP, 2021, pp. 95–108.
Verhulst, Pim. “Language, Sound and Textuality: Caryl Churchill’s Identical Twins as Neo-Avant-Garde (Radio) Drama.” Tuning in to the Neo-Avant-Garde: Experimental Radio Plays in the Postwar Period, edited by Inge Arteel, Lars Bernaerts, Siebe Bluijs, and Pim Verhulst, Manchester UP, 2021, pp. 213–35.
Verhulst, Pim. “Literal Translation vs. Self-Translation: The Beckett–Pinget Collaboration on the Radio Play Cendres (Embers).” Samuel Beckett and Translation, edited by José Francisco Fernández and Mar Garre García, Edinburgh UP, 2021, pp. 91–106.
Verhulst, Pim. “Music, Voice, and (De)Narrativization in Samuel Beckett’s Radio Play Cascando.” Audionarratology: Lessons from Radio Drama, edited by Lars Bernaerts and Jarmila Mildorf, Ohio State UP, 2021, pp. 196–214.
Verhulst, Pim. “Radio after Modernism / Modernism after Radio.” Cahier voor literatuurwetenschap, vol. 13, 2021, pp. 121–34.
Verhulst, Pim. “Radio Aesthetics in Pinter’s Early Drama.” The Harold Pinter Review: Essays on Contemporary Drama, vol. 5, 2021, pp. 70–87.
Arteel, Inge. “A Theatre of Choric Voices: Jandl and Mayröcker’s Radio Play ‘Spaltungen’.” Tuning in to the Neo-Avant-Garde: Experimental Radio Plays in the Postwar Period, edited by Inge Arteel, Lars Bernaerts, Siebe Bluijs, and Pim Verhulst, Manchester UP, 2021, pp. 196–212.
Mildorf, Jarmila, and Pim Verhulst, editors. Radio Art and Music: Culture, Aesthetics, Politics. Lexington Books, 2020.
Mildorf, Jarmila, and Pim Verhulst. “Radio Art and Music: An Introduction.” Radio Art and Music: Culture, Aesthetics, Politics, edited by Jarmila Mildorf and Pim Verhulst, Lexington Books, 2020, pp. 1–7.
Verhulst, Pim. “Adapting the Soundtrack of Revolution: Tom Stoppard’s Rock ’n’ Roll from Stage to Radio.” Radio Art and Music: Culture, Aesthetics, Politics, edited by Jarmila Mildorf and Pim Verhulst, Lexington Books, 2020, pp. 217–33.
Beloborodova, Olga, and Pim Verhulst. “‘Mixing Media’, or the Bee and the Bonnet: Play between Radio, Theatre, Television and Film.” Samuel Beckett Today / Aujourd’hui, vol. 32, no. 1, 2020, pp. 9–24.
Verhulst, Pim. “L’Abstraction du corps dans les pièces radiophoniques de Samuel Beckett.” Lettres Modernes: Samuel Beckett, vol. 7, 2020, pp. 195–219.
Van Puymbroeck, Birgit. “Periodical Studies, Intermediality, and Cinema: Film in The Listener.” Mapping Movie Magazines: Digitalization, Periodicals and Cinema History, edited by Daniël Biltereyst and Liesbeth Van de Vijver, Palgrave Macmillan, 2020, pp. 57–76.
Van Puymbroeck, Birgit. “‘Phonopoetics: The Making of Early Literary Recordings’ by Jason Camlot; ‘Modernist Soundscapes: Auditory Technology and the Novel’ by Angela Frattarola.” ARSC Journal, vol. 51, 2020, pp. 237–240.
Verhulst, Pim. “‘A Thing I Carry about with Me’: The Myth(s) of Sisyphus in Beckett’s Radio Play All That Fall.” Samuel Beckett Today / Aujourd’hui, vol. 31, no. 1, 2019, pp. 114–29.
Verhulst, Pim. “Beckett and the Mass Medium of Radio: Bridging ‘High’ and ‘Low’ Culture in All That Fall.” Pop Beckett: Intersections with Popular Culture, edited by David Pattie and Paul Stewart, Ibidem, 2019, pp. 45–62.
Verhulst, Pim. “Van radio feature tot radio play: Dylan Thomas, Samuel Beckett en de blindheid van het radiomedium.” Luisterrijk der letteren: hoorspel en literatuur in Nederland en Vlaanderen, edited by Siebe Bluijs and Lars Bernaerts, Academia Press, 2019, pp. 263–82.
Van Puymbroeck, Birgit. “‘Magie der verbeelding!’: Louis MacNeice’ The Dark Tower en Edward Sackville-Wests The Rescue op de Vlaamse radio.” Luisterrijk der letteren: hoorspel en literatuur in Nederland en Vlaanderen, edited by Lars Bernaerts and Siebe Bluijs, vol. 13, Academia Press, 2019, pp. 245–262.
Van Puymbroeck, Birgit. “Compton Mackenzie’s and Hugh MacDiarmid’s Early Broadcasting Critique: Vox, Modernism and the BBC.” Modernist Cultures, vol. 14, no. 4, 2019, pp. 522–542.
Arteel, Inge. “Experimental Acoustic Life Writing: Gerhard Rühm’s Radio Plays.” Counter Text, vol. 5, no. 3, 2019, pp. 332–51.
Arteel, Inge. “Radio, Spiel und Welt: George Taboris Hörspiel ‘Erste Nacht letzte Nacht’.” Germanistische Mitteilungen, vol. 45, nos. 1–2, 2019, pp. 51–69.
Arteel, Inge. “Experimenteel grensverkeer rond 1970: De receptie van het Duitstalige hoorspel in Vlaanderen.” Luisterrijk der letteren: hoorspel en literatuur in Nederland en Vlaanderen, edited by Lars Bernaerts and Siebe Bluijs, Academia Press, 2019, pp. 33–51.
Beloborodova, Olga, and Pim Verhulst. “Broadcasting the Mind: Extended Cognition in Beckett’s Radio Plays.” Beckett and Modernism, edited by Olga Beloborodova, Dirk Van Hulle, and Pim Verhulst, Palgrave Macmillan, 2018, pp. 239–57.
Van Puymbroeck, Birgit. “Literatuur en radio.” Literatuur en muziek = Literature and Music, edited by Inge Arteel and Bruno Forment, vol. 10, Academia Press, 2018, pp. 95–101. (Cahier voor literatuurwetenschap).
Arteel, Inge, and Bruno Forment, editors. Literatuur en muziek. Cahier voor Literatuurwetenschap. Academia Press, 2018.
Verhulst, Pim. “The BBC as ‘Commissioner’ of Samuel Beckett’s Radio Plays.” Samuel Beckett and BBC Radio: A Reassessment, edited by David Addyman, Matthew Feldman, and Erik Tonning, Palgrave Macmillan, 2017, pp. 81–102.
Verhulst, Pim. “Getting over Joyce in English: ‘Proteus’, Portrait, and the Genesis of Samuel Beckett’s Radio Play Embers.” Genetic Joyce Studies, vol. 17, 2017, pp. 1–20.
Arteel, Inge. “Non-Sovereign Voices in Friederike Mayröcker’s Aural Texts.” Partial Answers, vol. 15, no. 1, 2017, pp. 135–50.
Van Puymbroeck, Birgit. “Oog versus oor: Lance Sievekings vroege hoorspelen.” nY, 2016.
Verhulst, Pim. “‘There Are Differences’: Variants and Errors in the Texts of Beckett’s Radio Plays.” Journal of Beckett Studies, vol. 24, no. 1, 2015, pp. 57–74.
Verhulst, Pim. “‘Just Howls from Time to Time’: Dating Beckett’s Pochade radiophonique.” Samuel Beckett Today / Aujourd’hui, vol. 27, 2015, pp. 143–58.
Verhulst, Pim. “Editing Bilingual Beckett: The Case of the Radio Play Cascando.” Variants: The Journal of the European Society for Textual Scholarship, vol. 9, 2012, pp. 211–27.
